Green Book (2018)
Critic Consensus: Green Book takes audiences on a surprisingly smooth ride through potentially bumpy subject matter, fueled by Peter Farrelly's deft touch and a pair of well-matched leads.
Tickets & Showtimes
Green Book Videos
Green Book Photos
News & Interviews for Green Book
Critic Reviews for Green Book
Call this actors' duet sentimental and simplistic at your own peril. Green Book may well move you, possibly to tears, at the thought of real social change and kindness (at a time when we need it badly).
Green Book is effective and affecting while being careful to avoid overdosing its audience on material that some might deem too shocking or upsetting.
This is an expertly-acted, perfectly telegraphed message movie that knows the buttons it's pushing, and pushes them all, right on cue. This is not a knock against it, it's a compliment.
A heartfelt ode to the bond between two real-life men.
Audience Reviews for Green Book
Green Book plays like a twenty-first century rendition of Driving Miss Daisy, a well-meaning and relatively gentle movie about race relations where a prejudiced white person comes about thanks to their firsthand friendship with an African-American male. It's reportedly inspired by the true story of Tony Lip (Viggo Mortensen), a nightclub bouncer, driving around a famed pianist, Dr. Don Shirley (Mahershala Ali), as he performed throughout the South in 1962. The best part of the movie is the character interaction between this odd couple, and you'll get plenty of it too. The actors burrow into their very distinctly conflicting characters, so it's a natural pleasure to watch them eventually bond and learn from one another. This is the kind of racism that doesn't make people feel too uncomfortable, and you could say that about the film as a whole. It's a bit safe and has its intentions set on being a big, inclusive crowd-pleaser, and it plays like one. There are moments to make you laugh, moments to make you cheer, and moments to make you tear up. Morstensen and Ali are terrific together and find dignity and humanity in characters that could have easily become one-note stereotypes. The more we learn about Dr. Shirley the more interesting he becomes, a man used to feeling like an outsider no matter the company he keeps. Watching the two men grow and open up to one another can be heartwarming and deeply satisfying. Remarkably, the film is directed and co-written by one half of the Farrelly brothers, the pair responsible for ribald comedies like There's Something About Mary and Dumb and Dumber. It's an easy movie to fall for, with its winning formula and enjoyable actors, but there's a little nagging concern I have that Green Book is too safe, too straight, and too pat in its life lessons. Despite its Best Picture win, it's not like Driving Miss Daisy has any lasting cultural impression, and I wonder if maybe Green Book is destined for the same. Still, the acting and writing is enough to bring a smile to your face and remind one's self about the power of kindness. Nate's Grade: B
There isn't a person you wouldn't love if you could read their story. I tend to try and not speak in absolutes and there may or may not be some exceptions to this rule, but the point is an obvious one: all the races and people with different sexual orientations or different religious beliefs can get along once we really get to know one another; that we're not really all that different after all. That's all well and good, but it's also a tried and true formula that at least one Hollywood production trots out every awards season to try and make us all feel better about ourselves. One might think, given the current cultural climate, that any movie attempting to bring people together might immediately be dismissed as one party's agenda to corrupt another into actually having a conversation with a person of opposing views, but maybe that's ultimately why Green Book feels so good right now and ironically, so needed. There isn't a damn thing here you haven't heard or seen before and director Peter Farrelly (one half of the brother directing duo who brought us comedy classics like Dumb & Dumber and There's Something About Mary, but also brought us Dumb & Dumber To and The Heartbreak Kid) directs with the eye of about as mainstream a filmmaker as it gets meaning there is nothing glaringly unique or interesting about the way in which he captures these events, but this does mean it will undoubtedly speak to a very large audience. There was some slight hope that Farrelly might utilize his experience in his years of making broad studio comedies to infuse the many predictable formulas this movie utilizes with a more striking tone or presence, but while taking on a project like this might have been a bold thing for the filmmaker to do given his past credits he alas decides to do nothing bold in the execution of this change in pace, but instead plays it right down the middle. Fortunately for Farrelly, the story has such a great inherent hook and given he's hired two more than capable talents to lead his film it hardly matters how he's saying what he wants to say as long as it's competent enough to capture how Mahershala Ali and Viggo Mortensen are saying what they want to say. It's largely through these two performers that Green Book transcends the calculations of a movie such as itself, eclipsing every predictable note it plays that could have so easily rung false to become something genuinely endearing; a true crowd-pleaser in the least cynical and most delightful of ways. read the whole review at www.reviewsfromabed.com
Usually, when a film is made and has very little depth in terms of storytelling, it would be forgotten about, but if you have a unique take on a specific story and the point of the movie is to keep it simple and explore only one facet of history. Personally, I prefer when stories are a little more fleshed out, but I also believe this simple story in Green Book is one of the best films of 2018. This is a movie that cares about its characters first and foremost and we donâ(TM)t see many of those films hitting the big screen very often, so this was a pleasant surprise. Although thereâ(TM)s not much meat to the story (which may bore some viewers), I found Green Book to be a fantastic piece of filmmaking. Fired from the downtown club and forced to take any job he can in order to support his family, Tony Lip (Viggo Mortensen) decides to take on the role of driving pianist Dr. Don Shirley (Mahershala Ali) across the South, as he and his band perform for audiences. With the inclusion of the fact that Don is an African-American man in the 1960s and Tony being an Italian-American, many racial occurrences arise for these two. Being an unlikely pairing for that particular decade, these characters needed to be like-able and completely fleshed out in order for this film to work and those two aspects were absolutely astoundingly well-done in my opinion. This also stems from a particularly great turn by director Peter Farrelly. Although his earlier work on films like Dumb and Dumber and Thereâ(TM)s Something About Mary are very commendable outings, his recent comedies havenâ(TM)t exactly struck gold. Having his last few films being Dumb and Dumber To, Hall Pass, and The Heartbreak Kid, I was very worried about him taking on a more dramatic film. After watching this film, I felt ridiculous even thinking that, because not only has he shown maturity as a director this time around, but also completely understood how to blend his sense of humour with a more meaningful premise. If he sticks with this style of filmmaking, I can definitely see his name in the public eye more often in the coming years. The way he handles his performers here was truly something special. As I said, it truly is the character arcs that carry this film and without amazing performances, this movie wouldâ(TM)ve been forgotten. Mortensen and Ali both give their all in these roles and it shows. There wasnâ(TM)t a single moment where I found myself scratching my head or not believing a decision they made or line of dialogue they spoke. In the vein of films like Driving Miss Daisy or even Before Sunrise, the conversations are the reason this film doesnâ(TM)t feel slow. Thereâ(TM)s hardly a single exciting scene and the movie clocks in at nearly 140 minutes. Thatâ(TM)s when you know the dialogue has been written very well by the trio in Nick Vallelonga, Brian Hayes Currie, and Peter Farrelly. In the end, I canâ(TM)t see everyone loving this film, due to the slow pace it has, but itâ(TM)s a breezy crowd-pleaser nonetheless. This movie has been generating major awards consideration and I think it deserves every bit of it and then some. I loved my experience watching this movie and I canâ(TM)t wait to revisit it and take this journey with these characters again. Funny, sad, and heartwarming, Green Book easily earns the title of being one of the best feel-good movies in recent memory (at least to me). I loved this movie and I canâ(TM)t recommend it enough.
Green Book Quotes
There are no approved quotes yet for this movie.